by liberal japonicus
To get things started
https://www.theguardian.com/science/2022/jan/31/there-is-nothing-more-magical-resurrected-theatre-brings-ancient-greece-to-life
I was a latecomer to plays, and I still find it difficult to read them. And I've never been to a classical Greek play, but this seems like a nice bucket item. Anyway, an open thread for any theatrical experiences out there.
The most memorable date of my life was to a performance of Antigone - this production. But it's not the play that I remember.
Posted by: Pro Bono | February 02, 2022 at 01:31 PM
I've said before that the most memorable theatrical experience of my life was Peter Brook's A Midsummer Night's Dream, not one of my favourite plays (this is an understatement) but still talked about by many as completely, appropriately, magical. Nobody who saw it has ever forgotten it, and my friend and I sat there desperate for it never to end.
https://en.wikipedia.org/wiki/RSC_production_of_A_Midsummer_Night%27s_Dream_(1970)
https://www.theguardian.com/stage/2019/jun/10/a-midsummer-nights-mystery-my-search-for-peter-brook-dream-rsc
Since then, in my adulthood, Mark Rylance in Jerusalem. And, to my delight, he is to appear in it again this summer, and I managed to get tickets, and for people to whom I had raved and who had been unable to do so.
https://www.theguardian.com/stage/2009/jul/19/jerusalem-royal-court-review
https://www.nimaxtheatres.com/shows/jerusalem/
https://en.wikipedia.org/wiki/Jerusalem_(play)
Posted by: GftNC | February 02, 2022 at 02:12 PM
For me, I think the most memorable was when the local (amateur, volunteer) light opera company did Gilbert and Sullivan's Mikado. The memorable part being the scenery.
We had minimal budget for scenery, and a need to shift between multiple locations (frequently lacking back stage area, e.g. junior high multipurpose rooms). So we needed something special. We created 8 shoji screens, on wheels. One side of each being blank, the others being something we needed for scenery. For example, one with a willow tree.
Scene changes involved a couple of people, in black haori and hakama, walking out in full view of the audience and spinning the appropriate shoji around. Worked just fine. And it taught me that, in theater, there are sometimes very different ways to deal with problems.
Posted by: wj | February 02, 2022 at 02:56 PM
This is about theater of a sort:
https://fivethirtyeight.com/features/there-is-more-than-one-big-lie/
Posted by: hairshirthedonist | February 10, 2022 at 10:40 AM