by Doctor Science
I got caught up in one of those obsessive desires to find out what something is -- a lifelong procrastination trap of mine which the Internet is *not* helping -- and found myself at the British Museum website[1], looking at this pot:
Porcellaneous stoneware wine-jar of guan form, with ovoid body. The wine-jar has a gilt copper-bound mouthrim. The wine-jar has finely crazed turquoise glaze. There is an inscription on the shoulder.Made in Jingdezhen, a major center of Chinese ceramic production for at least 1700 years.
Maybe it's just me, but I find this staggeringly beautiful, literally jaw-droppingly gorgeous. Even in the midst of other beautiful things, this one seemed to leap at my eyes.
The inscription reads: "For use in the Inner Palace", and I can well believe it. It made me wonder what it was like to live in a world where the uppermost classes had a material culture so different from that of most people's lives. It must have been very easy for both the ruling class and the mass of people to think of each other as almost different species.
It may be one of the marks of modernity that there are no more sumptuary laws, and that high and low alike can wear almost the same clothing and eat very similar food. There's some idea there about inequality, meritocracy [2], and social mobility, but it's pretty vague in my mind as yet.
One thing, though: although we may think of traditional Chinese society as being more rigid than traditional European society, I wonder if it was. Aside from the whole question of the meritocratic examination system, I notice this:
Zhu Yuanzhang, who founded the Ming Dynasty in 1368, rose all the way up the social scale, from starving peasant to Emperor. I know of no European ruler who started any lower than petty nobility or bourgeois wealth, for the thousand years before World War I.
Even Napoleon was born somewhere in the top few percent, and the other European rulers of his era were all from a smallish handful of families that had been at or near the top of the heap since the Middle Ages. The Chinese ruling class, it seems to me, shows turnover on the scale of centuries, while the European ruling class does not.
[1] I've become a connoisseur of museum websites, and the British Museum's may be the best. Not only does it allow you to search along a number of axes, including setting your own date parameters (many museums, e.g. the Met Museum in NYC, force you to use their date-lumping systems), but the Brit's object description frequently includes cross-links to other items that were donated or acquired with this one, to the collections of previous owners, to items of similar date, place, composition, culture ...
The only problem with the Brit is that the server is kind of slow, and it includes archaeological collections which can include a lot of junk, misc., collected in the 19th century.
[2] Yes, this means I'm reading Twilight of the Elites by Chris Hayes. I'll probably have more to say when I'm done.
Upstairs in the British Museum, way upstairs and hard to find, is the Percival David collection of a wide range of ceramics, many of which are pretty amazing. None so spectacular as this turquoise glaze, but arguably its peers. One piece of Guan ware from the Song Dynasty (say, 14th century or so) is the most beautiful human artifact I have ever seen. Jaw-dropping indeed if one likes such things. Regardless of that, the room is well worth the visit.
Now, as to hierarchy and different species, the Chinese made elegant carved wooden scroll-holding racks, so that the person who carried a message to a great lord could go into the empty room and leave the message there, not polluting the lord's presence by ever being in the same room with him. The messenger, of course, would not be some peasant but a member of some other lord's household
BTW, a hint for people who like to see fine things close up: When a big auction house is about to sell fabulous things, it's generally possible for anyone who looks respectable to walk into the preview and gawk at the stuff. What sort of fabulous things? Well, not a collection of Faberge eggs or the possessions of Jackie Kennedy, or too-popular things like that.
But once in London I wandered into an exhibit room at Sotheby's next to the rooms I meant to visit, and it was full of very expensive Renoirs and such.
But that's not the point. The end wall was nearly empty. In the center was something rather small, with informative small signs around it. I spent a few minutes there, with no crowd, in fact *no* other viewers, examining the newly authenticated Vermeer they were about to sell. It was sold the next week for millions. 16 million. Pounds.
Probably won't see that painting again close up.
Posted by: Porlock Junior | August 04, 2012 at 02:55 AM
Interesting stuff, but I'm not sure about this
such that people of different classes barely recognized each other as people
and drawing that conclusion from what is represented in Chinese art. This is a bit of a rambling comment, and I'm not well versed in Chinese art, but one of the main principles of Chinese art is to place man in nature and show a relationship between man an nature. This means that you aren't going to get many representations of groups of people and their social relations. I think it is only the Japanese, with ukiyo-e, which is fundamentally a metropolitan artform for the urban masses, do you see social relations and hierarchies protrayed.
As to recognizing people from other classes, two of the principal precepts in Confucianism are ren (仁), which is the notion of compassion towards others and shu (恕), which is tolerance/benevolence and is the reason people suggest that Confucius was the first person to state the Golden Rule. This is balanced by li(禮) which is often given as self restraint or decorum, i.e. minding your place
There are a number of lines from the Analects that emphasize the intrinsic value of all humans, and the problem I think westerners have is that it is hard to imagine a society that simultaneously emphasizes remaining in your class and argues for the intrinsic worth of individuals because our only context for arguing for intrinsic worth is to clearly couple it with social mobility.
This isn't as well argued a comment as I'd like, because your observation is from a social aspect of art criticism, which I have no grounding in, and my observation is from my (relatively reverential) understanding of Confucianism, but I hope it gets what I want to say across.
Posted by: liberal japonicus | August 04, 2012 at 07:20 AM
I think that every society has both to some degree: a philosophy or religion that tells people to value each other and people, lots of them, who do not value each other because it is not covenient for them to do so. Heck, look at the US where the so-called pro-life party tried to defund Medicaid!
AS soon as it becomes convenient (or is perceived as convenient)to dehumanize others, lots and lots of people wil do it.
In medieval Europe during the serf period serfs did look like a different species than the nobility. They were smaller for one thing. According to Will Durant Roman-born slaves looked like a different species than the patrician class not becuase of foreign paranetage but because of chronic malnutrition and overwork from an early age. The skeleton of a little girl slave in Pompeii showed that she had ridges fromed on her bones from over exerting her muscles from carrying weight too heavy for her developing frame.
I read a book about the Soong sisters years ago. One scene stays in my mind: one of the sisters wastravelling across the country side during that horrible famiine when the country was littered with beggars and corpses--and she didn't see them. The beggars and corpses did not register with her. She spoke to an American reporter about the condition of China and she just did not acknowledge the existance of over a million dead from starvation even thbough she ahd travelled through one of the worst hit regions. She was a Chiang Kai Shek (I know I butchered the spelling of that name) supporter and it was not covenient to notice mass starvation.
It's not convenient for Mitt Rmoney to notice that cutting income taxes for rich people does not result in job creation and does result either in deficts, increased taxes on the not-rich, or both.
The selfish, they will always be with us.
Posted by: Laura Koerbeer | August 04, 2012 at 08:54 AM
Porlock Jr:
In fact this turquoise vase is also in the Percival David collection, room 95. Is the object you're talking about this one, or something else?
Hoshit, one-on-one with a Vermeer. Yeah, that's worth putting on makeup for ...
Posted by: Doctor Science | August 04, 2012 at 11:38 AM
Owen Tudor? It's not single-generation mobility, but it is upward. Or is he too high-class to count?
Also thinking of the Church as a method of social mobility. For example, Pope John X (exactly 1000 years prior to WW1)?
Posted by: Ken Lacy | August 06, 2012 at 03:58 PM
Royalty beginning as commoners:
Jean Baptiste Jules Bernadotte rose from a private in the French army to being a Marshall under Napoleon, and was elected successor to the king of Sweden by the Diet in 1810. He ascended to the throne in 1818 and reigned until 1844. His descendents reign to the present day.
It _did_ require a series of unusual events, but that was probably true of your Chinese emperor as well.
Posted by: mike shupp | August 07, 2012 at 04:07 PM
Supposedly, after Bernadotte died, they found a tattoo on his body that said MORT AUX ROIS! ('Death to kings!'). Much like most of life, if you want it too much, you probably won't get it....
Posted by: liberal japonicus | August 07, 2012 at 05:35 PM
Gustavus Vasa of Sweden is probably one of the greatest stories of social mobility in the 16th century. He was a son of a rather minor noble, rising to king of Sweden in 1523, reigning until to his death in 1555 and founding a dynasty that continued until 1654 (by some counts, until 1815 or to present).
Ericus Jönsson, later Ericus Dahlbergh is another rather interesting case, but from 17th century. The early-orphaned son of a peasant, he rose from a minor scribe to ranks of field marshal and count. (He got his early education at school for the reason of being a distant relative via female line to a noble family, but rest was of his own doing.)
Posted by: Lurker | August 08, 2012 at 04:18 AM
I know of no European ruler who started any lower than petty nobility or bourgeois wealth, for the thousand years before World War I.
You're forgetting the popes. While many certainly came from noble families, some, like Gregory VII, who went toe to toe with the emperor, were from peasant families.
Posted by: DBN | August 08, 2012 at 02:17 PM
Beautiful. He was nicknamed "One Corner Ma" because of his style of starting in one corner and painting up on a horizontal plane.
We studied him in Art History Class in College.
Posted by: Sondra | August 16, 2012 at 08:42 AM
It's simply not true that there were no European rulers who were from the lower classes. In fact, that's ludicrously ridiculous: a large number of the major cities of the time were independent republican city-states which were run by their citizens (some of which states explicitly banned nobles from participating in their politics). It's true that most of these city-states only allowed a limited portion of their inhabitants to rule, but that's a far cry from all rulers being nobility or wealthy. Many small businessmen or noted craftspeople had some levels of political power.
Posted by: burritoboy | August 16, 2012 at 03:21 PM
Today customs agents seized 20,000 pairs of fake Louboutin shoes going into LA. Its definitely a sumptuary law that our government doesn't want the poor to dress as good. They said they would now burn the knockoffs.
Posted by: krissy | August 16, 2012 at 11:10 PM