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March 10, 2005

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"Casting is done (in large part) based on looks."

Yes, exactly. (Along with the "acting" part, of course.)

Appearance, not "race." People commonly mentally place other people in various "racial" categories all the time, and even such guesses frequently have no relationship even to their ostensible "racial" categories. There's simply no way to get it right, above and beyond the question of why anyone should try. "Race" is irrelevant; ancestry is irrelevant; all that matters in acting is whether the actor appears convincing.

"Nonetheless, a director casting Othello is still, in most cases, going to for good reason cast a black actor, regardless of whether he conceptualizes the decision as 'casting a black actor' or as 'casting an actor which the audience will percieve as black.'"

I believe our mental constructs are of crucial importance in regard to fighting racism, since they're pretty much all that exists as relevant fact. Getting over deciding to categorize people as being members of one "race" and not another is inextricable from that, in my view; it's simply a false and destructive category error.

Directors should not be thinking of casting a "white" or "black" actor, because they simply can't think that way without thinking racistly, by definition; they should think of "is this actor portraying the role convincingly"? Because that's all they can actually measure; it's that simple. (I'll avoid digressing into historical analysis of how and why a drop of "black" blood, metaphorically and racistly speaking, turns people "black," but the reverse isn't true of people becoming "white," but it's directly relevant.)

That "appearance" isn't "race" is something that simply eventually either has to be knocked into everyone's skulls, or find some other way in, and that's where I started, and that's where I finish.

While I agree with you that the world would be a better place if 'race' disappeared from everyone's mind as a useful way to categorize people, suggesting that it's either desirable or possible for a director not to consider the race of actors in casting a play about race for an audience that will interpret the play in terms of race seems unworkable to me -- it's like that story from the Arabian Nights(maybe?) about the flying carpet that would work as long as the user didn't think of a white camel. Not much use in practice.

But we agree on the basic goals, and clearly we aren't going to convince each other on this particular point.

Directors should not be thinking of casting a "white" or "black" actor, because they simply can't think that way without thinking racistly, by definition; they should think of "is this actor portraying the role convincingly"?

What if the role has race as a central conceit?

"What if the role has race as a central conceit?"

With great respect to both Anarch and LizardBreath, if what Anarch quoted of what I said doesn't answer that question, I have nothing better to add, and since I'm clearly not succeeding in making my point, I now shut up on this.

By the way, the "race is imaginary" position is probably more arguable than people may think.

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